Thursday, December 31, 2009

Rookie of the Year: Local Natives

With their long awaited debut album, Gorilla Manor officially releasing in the US on February 16; 2009 has been a helluva year for the quintet, Local Natives out of Silverlake, CA. First making waves with their insanely busy lineup at SXSW 09 and creating an ear popping buzz familiar to that of Vampire Weekend, who's previous year in DIY-101 made them the most talked about band in 2008. Much like the latter, Local Natives' music is ten times better than one could write or describe. Drawing a likeness to a range of bands from Fleet Foxes, Yeasayer and Rogue Wave; but not at all limited to those and at the same time so much more exuding excitement and an energetic explosion of originality when performing. Spending the majority of the year on tour, the band has made it's rounds nationwide and are slowly creeping through the UK and the rest of Europe.
At this point a nice selection of tracks from Gorilla Manor have been revealed either at live shows or online via Daytrotter or Myspace. I know the guys have been willing and excited to cross the Atlantic or tour barns within the Midwest to share their catalog of genre blending high-energy symphonies. Themes and subject matter varies throughout the selection of songs heard thus far, but many focus on the person, one molds themselves into as an adult and the nostalgia and childlike tendencies brought to surface as this new persona takes face. At times swapping out vocalist duties, it seems as though there is a true collaborative effort by these guys to share their tales on life. I definitely have a biased opinion, but feel its well justified when I say Local Natives have put forth the necessary effort to create a presence while exhibiting the staying power with an original direction in music. I have had the opportunity to see the band at the Bowery Ballroom and locally at Lincoln Hall, and am already anticipating seeing them more in 2010. Frenchkiss Records is releasing Gorilla Manor, February 16 in the US.

Wednesday, December 30, 2009

2009 Top 10 Music Videos

Little by little it seems to me as though artists are making a strong effort to rejuvenate the extinct medium of music videos. I still feel a tinge of disappointment when MTV is mentioned, since their focus shifted to over dramatic reality stupidity. I found myself this year being pleasantly surprised and at times honestly mesmerized by much of the creativity exhibited in many of the videos that visualized the featured track. The following ten videos I feel really took the medium to the next level while at the same time retaining a certain level of nostalgia that made music videos so exciting growing up.

10. Swim Until You Can't See Land-Frightened Rabbit

9. Lust For Life-Girls

8. Ready, Able-Grizzly Bear

7. To Kingdom Come-Passion Pit

6. Stars-Warpaint

5. Heads Will Roll-Yeah Yeah Yeahs

4. Stillness In the Move-Dirty Projectors

3. Two-The Antlers

2. Grapevine Fires-Death Cab for Cutie

1. Kisses Over Babylon-Edward Sharpe & the Magnetic Zeros

Friday, December 25, 2009

Have Yourself A Merry Xmas

It is grey and rainy today, not what is usually expected in Chicago at this time of the year. I hope everyone out there has had a wonderful holiday season. I thought Bright Eyes' (Conor Oberst) version of this Christmas classic truly sums up the cozy yet cold feelings that accompany this season. There is a certain nostalgic sadness for me each year as the realization continues to set in, that there are different experiences and expectations with Christmas and being an adult.

Tuesday, December 22, 2009

2009 Top 15 EPs

An EP (extended play) is defined as a record, cd or audio file that is larger than a single but not long enough to be a full length album. Sometimes bands remind their listeners of their presence with a teaser of what may come; other times an EP represents a chronicling of a creative period for the band. The origin of the EP is the 7 inch record and is a medium that became obsolete and was re popularized in the Punk era. Many of the EPs on this year's list are either an introduction to some new and exciting bands breaking into the music scene or are annual favorites exhibiting many of the creative experiments that were a result from a track that landed on a recently released album.

15. Washed Out-Life of Leisure EP
14. Warpaint Exquisite Corpse EP
13. Dum Dum Girls-Your Alone
12.The Pains of Being Pure at Heart-Higher Than the Stars
11. Beirut-March of the Zapotec/Realpeople Holland
10. No Age-Losing Feeling
9. Blitzen Trapper-Black River Killer
8. Aushua-Limbo EP
7. Animal Collective-Fall Be Kind EP
6. Modest Mouse-No One's First and You're Next
5. Moonface-Dreamland EP: Marimba and Shit-Drums
4. Death Cab for Cutie-The Open Door EP
3. Andrew Bird-Fitz and the Dizzyspells
2. Bon Iver-Blood Bank
1. Dirty Projectors-Temecula Sunrise

Friday, December 18, 2009

2009 Top 25 Albums

With the year coming to an end in the next couple of weeks the daunting task began, to compile the albums that have had the most impact on my taste musically this year. Many of the following albums made an early effort and with countless revisits proved their worthiness of placement on the year end's list. Others took hours of debate and comparison to determine a deserving placement on the final tally. In contrast to other lists out there, many may disagree with my choices but its difficult to deny the importance each one of these albums have had in 2009; not to mention the restrained anticipation for future endeavors by the bands themselves. Without further ado....

25. Telekinesis-Telekinesis! 2009 has been the year of the resurgence of pop in a variety of formats. Telekinesis' self-titled debut with an exclamation was released in the first quarter of the year and had enough staying power to retain a position on the year end's list. Catching my attention almost immediately when the Chris Walla produced album initially peaked it's head on the Internet with a attention grasping power pop that has you humming along. With similar sounds to the producer's own band's (Death Cab for Cutie) earlier albums, Telekinesis' pulls at the heart strings with Michael Benjamin Lerner the one man band behind the moniker creating grounded music that has a relate able quality with its listeners. Lerner's lyrics are light and playful while at times addressing deeper issues, paint a canvas of nostalgic times and reflecting on his love life in an idealistic manner.


24. Fanfarlo-Reservoir/ Edward Sharpe and the Magnetic Zeros-Up From Below After much deliberation and having an akin to a variety of attributes in both of these albums I decided on a tie as each band has had a constant presence on my play list throughout the second half of the year. Fanfarlo are a London based Indie Pop band who can be included in the overwhelming abundance of band who utilized the strengths of classical instrumentation infused with the standard guitar,bass and drums. Edward Sharpe and the Magnetic Zeros are one of many emerging bands exploding out of Los Angeles, appearing as though reentering the grid of society from some love bathed commune of hippies. There is a large contrasting quality between the two bands as they both embrace their own version of the reinvented popularity of Pop music. Simon Balthazar, Swedish lead singer of Fanfarlo, creates a whimsical strain of words that are drenched in a symphonic explosion of harmony. Alex Ebert often serenades a true love as this commune band revives psychedelic retro indie folk with a supporting band that totals 11, whose live performances create a truly jovial kumbaya of hand claps and swaying back and forth; as the crowd is mesmerized by the band's endearing romanticism retelling their love story.


Up From Below

23. Port O'Brien-Threadbare The band's third album takes a departure from the previous narration of times as a fisherman. Lead singer, Van Pierzalowski noted in an interview, this was his first summer not spent on his father's fishing boat in Alaska. As the title, Threadbare addresses much of the tonality and themes within this album are tired and longingly reflective. It almost emulates the realities of life people have a tendency avoiding for a artificial facade. The band dealt with much misery during the year which has an overwhelmingly delicate presence in Cambria Goodwin's painful moans and Pierzalowski's piercing wales of the chorus. Threadbare is a must play when all you want to do is wallow in sadness and embrace the grey skies of winter.


22. Kid CuDi-Man on the Moon:The End of the Day A new era of hip-hop rap was introduced in August, as the Cleveland born rapper, Kid CuDi, brought a fresh style of rap to the limelight. CuDi's debut album is formatted as a narrative unraveling a tale of this fictional character which parallels an introspective exploration of his own perception along with his delusions of grandeur. He experiments with his rap style in sing/rhyme inter fusion while retaining a standard hip-hop sleaziness, pushing the envelope creatively while collaborating with artists from other musical genres. He was discovered by Kanye West and aided in much of the creative process of 808s & Heartbreak, writing a number of the songs as well. Man on the a huge success where 808s failed comparatively, not finding a necessity for auto-tune CuDi's natural voice singing at times flows more naturally and ekes originality in a genre that has a tendency to sound over produced and mundane.

Man on the Moon:The End of the Day

21. Kittens Ablaze-The Monstrous Vanguard This year's CMJ festival introduced me to a number of talented and exciting bands who should have a larger presence in the music industry this upcoming year. Unsurprisingly from Brooklyn, as my theory of "something in the water" stays intact, comes Kittens Ablaze a sextet creating music one could describe as conceptual indie pop fusion rock. Implementing a string section along with a variety of alternative instruments a chaotic beauty grasps your attention and does not let go throughout their debut, The Monstrous Vanguard. Quite a feat to witness live, the music is layered and builds with intensity as Tim Spellman's lyrics illustrate a gloomier perspective on life.

The Monstrous Vanguard

20. Foreign Born-Person to Person Gaining earlier buzz from past tour mates, Grizzly Bear, who noted an excited anticipation for the release of Person to Person in July. The sophomore effort from the Los Angeles based band, furthers the experimental fusion of world music with a classic rock aesthetic of meticulously crafted guitar chords. Their music is the perfect soundtrack for an endless summer, a controlled explosion of sunshine layered in an Afro-pop fashion. Losing some of the harsh beauty present in, On the Wing Now but exhibiting an obvious maturity in their craft is unmistakable as transitions are much smoother almost like a seasoned traveler. Much benefit must come from Fool's Gold, the sister band most of Foreign Born members moonlight whom take on a more "Afro-Hebrew" tendency. Matt Popieluch, lead singer, describes his constant theme in his lyrics as "When interior struggles encounter and navigate physical landscapes."

Person to Person

19. Harlem Shakes-Technicolor Health Someone could find great difficulty if requested to best classify the music of Harlem Shakes. Technicolor Health, the debut and unfortunately final album(the band found its demise before the end of the year) is a collection of anthem sounding, toe-tapping charged songs.There is an odd familiarity to the lyrics creating a natural desire for the listener to sing along. Lexy Benaim's nasally delivery adds a colorful layer to the melancholic happy tone of the music. Technicolor Health was a first step in a positive direction showcasing creativity and pop excitement from a band that could have been great, unfortunately there will always be that nagging desire for more.

Technicolor Health

18. Miles Benjamin Anthony Robinson-Summer of Fear Much to the popular opinion, I found Robinson's second release a pleasant surprise and a wonderful companion album to a broken heart. Summer of Fear is an album that feels much like a love letter given when an undesired end is near and expression of feelings is a necessity. Robinson's Dylanesque delivery projects a soulfulness only truly felt at the core of each song as his scratchy wail unveils his beckoning desire for love. Each listen uncovers another layer of emotion any listener can associate with.

Summer of Fear

17. The Pain Being Pure at Heart-S/T With its abrupt beginning listeners are immediately drenched in a sound that would make the late John Hughes' ears dance with pleasure; as I am overwhelmed with feelings of nostalgia reminiscing of films which crafted my childhood in the 80s. Their music marries the sounds of 80s pop tunes in a Belle & Sebastian style while retaining a high energy intensity that continues on a jovial path. The Pains successfully have reawakened a vintage form of Pop music that creates an air of excitement while singing about angst and emotional responses to life.

The Pains of Being Pure at Heart

16. We Were Promised Jetpacks-These Four Walls Their band name, We Were Promised Jetpacks, is inspired by a podcast from comedian Ricky Gervais. The Scottish quartet sing about getting past adolescence and dealing with adult decisions. Lead singer, Adam Thompson described the debut's title These Four Walls as to reference the home an adult is raised in and how its representation (family values,upbringing) alters with a grown up perspective. The band has found much success addressing heartfelt subject matter while playing their music at an ear piercing decibel. The third Scottish discovery by Fat Cat Records in as many years, the youngsters are a happy medium to the other two, The Twilight Sad and Frightened Rabbit. Thompson's pain and misery is obvious in the crackle of his deeply accented wail in many of the songs' choruses, the anthemic sing along debut is an exploding punch in the face.

These Four Walls

15. The Rural Alberta Advantage-Hometowns This debut album from the Canadian trio, paints a country folklore tale with an eerie presence of mortality and nightmarish imagery. Within these eloquently delivered vignettes there is enough ambiguity for listeners to attach personal baggage to the themes addressed in lead singer, Nils Edenloff's personal recounting of his hometown. The stripped down instrumentation recreates an electro-pop ambiance which accents Edenloff's emotionally driven lyrics narrating his adoring love for everything rural. The RAA continue in the long tradition of a strong output of creatively bolstered musicians from Canada.


14. Passion Pit-Manners Bells and whistles open this debut album with lead singer, Michael Angelikos' piercing shrieks submerged in a sugary pool indie electro dance pop. There is a contrasting quality of substantive subject matter abstracted by these light-hearted melodies that hypnotically deter your attention from the matters of fact. Manners is a wondrous collection of songs playing soundtrack to the joyous and devilish impulses that lie within one's subconscious. A far cry from once was a Valentines gift to a college girlfriend.


13. Dan Auerbach-Keep It Hid I'm still unsure what cave I've been hidden to just have caught wind of the Akron blues duo The Black Keys. Regardless of the fact I get to reap the benefits of an excellent catalog of songs which re approach the medium of American-blues rock. While on hiatus, guitarist Dan Auerbach returned to his Akron analog studio to continue his personal exploration and furthering his investigation of finding new approaches of guitar play while retaining the classic tradition exhibited in his gritty style. As many of the familiar characteristics of the Black Keys are present in this new collection, Auerbach does an excellent job to challenge himself musically and reveal a scorned soul that finds a bittersweet comfort ability in solitude.

Keep It Hid

12. Cymbals Eat Guitars-Why There Are Mountains Joe Ferocious recalls Weezer as a huge influence in his musicality style that aided in his crafting the debut, Why There Are Mountains. Regardless of Joe's inspiration, CEG found a way to create a journey and exploration of a bright new world ahead of us approaching with a new found perspective. The lyrics tackle the darker aspects of one's self while exhibiting an awe struck love of the world's natural surroundings. An angst ridden piercing shrill exposes Joe's passionate contempt for complacency with an obvious desire to be uncaged and afforded the ability the necessary mistakes to grow.

Why There Are Mountains

11. Vivian Girls-Everything Goes Wrong At the conclusion of a relationship, many transitional emotions and actions occur. The dumpee prepares to move forward alone building up an emotional wall as the healing begins. Anger, resentment, denial, and tension are just some of the sensory responses present during this phase of repair. So enter the Vivian Girls sophomore album, Everything Goes Wrong a lo-fi diary of a scorned girl wanting to flex her muscles amidst fuzzy guitar rock. Continuing in the same direction as their self titled debut left off; Cassie,Katy and Ali move away from generalized statements in their songs and focus their energy on building an independent state of mind at the end of what seems a cancerous relationship. The album clocks in slightly longer, and exhibits a darker edge in the album's overall tonality.

Everything Goes Wrong

10. The Flaming Lips-Embryonic Approaching their twelfth album, a double disc nonetheless the Flaming Lips return to their roots of sound experimentation in a less polished fashion while creating an abstracted perspective on Coyne's usual themes of madness and isolation. Feeling much like a jazz infused gritty space odyssey, an epic drive at returning to the innovative psychedelic quandaries that allowed Wayne Coyne to express his hidden fears and imaginative theories of the social direction of the planet. I admit this may not be the most ideal Lips record for a new listener as Embryonic is a continuation of an existing discourse established decades prior.


9. St. Vincent-Actor There is a pleasant juxtaposition of a melodic,disarming, gentle voice with the dissonance of guitar feedback and jamming hooks that instantaneously have you nodding your head along. It took a while for me to come around and spend some time with Annie Clark but since our introduction I find myself constantly revisiting Actor. Her observations and outlook are very similar to my own as she paints a fantastical vision of the bleak, with her calm unfazed tone.


8. Animal Collective-Merriweather Post Pavilion I feel as though it has been a longstanding love/hate relationship with Animal Collective. There would be some amazing aspects of past albums that would bewilder me; while their constant experimentation sometimes fell off the deep end. In the onset recordings of MPP, the group shifted their focus and guitar-less music was written to substitute for the absence of Deakin (Josh Gibb). The result included the addition of sampling and the most harmonious marriage of experimental psychedelic sounds and intuitive recounting of moments of pleasure.

Merriweather Post Pavilion

7. Phoenix-Wolfgang Amadeus Phoenix For their fourth album, the French quartet have really created their own identity in this polished indie pop style. They cold-heartedly approach romanticism building on past experiences and introducing a nostalgic undertone and a playful maturity that propels these French men's work to a cordon bleu level of Pop music.

Wolfgang Amadeus Phoenix

6. Yeah Yeah Yeahs-It's Blitz From the first chords of "Zero" listeners are transported to a dance floor as the art school rejects of Brooklyn return for their third album, It's Blitz. The YYYs have had a helluva year between the rejuvenation of their post punk style recreating the 80s ballads with danceable beats while retaining an eternal pain revealed through her cryptic lyrics. Not to mention the opportunity for Karen O to exude her quirkiness, sound tracking Where the Wild Things Are for ex-beau Spike Jonze.

It's Blitz

5. Dirty Projectors-Bitte Orca It has been a busy year in Brooklyn, as many of the summer's festivals featured an all Brooklyn band bill. Seeming an always evolving experimental group of musicians drawing from the positive attributes from whichever artist collaborates and contributes. Finding much success in graying the musical genre lines and incorporating aspects of R&B and this conceptually brilliant orchestral vocal style that re envisions the role of "composer". Lead, David Longstreth who proudly embodies that role has truly found his honest voice musically as the successes of Bitte Orca truly shape the direction of music. It is wildly imaginative and truly original.

Bitte Orca

4. The Antlers-Hospice By far the most written of band for "Drawing From Music" in 2009. The newly formed trio re imagine the work of lead, Peter Silberman; taking the most grim heart aching subject matter and translating it into a true opus of celebration. Not leaving any emotion unturned this saga unravels into a eerie hair raising epilogue leaving you with a desire to constantly replay. Whatever the truth behind Hospice's tale there is enough ambiguity for you to incorporate your own issues.


3. The Decemberists-The Hazards of Love Little by little Colin Meloy has etched into our sub conscience these intricately scribed tales scratching at the scabs healed over from scorned loves and desires that never came to realization. With The Hazards of Love, what has been coined as a "Prog Opera" envisions an entire fantastical world of alter-egos who struggle with life decisions and the repercussions when a man thinks with his other "brain". It is difficult not to revisit this tale revealing many of its beautifully laid out dual meanings and complicated perspectives.

The Hazards of Love

2. Grizzly Bear-Veckatimest It wasn't easy to avoid the record which was coined as "the savior of indie rock". A truly amazing and heart stopping abstraction of good vs. evil. Daniel Rossen's sinisterly laid out words harshly contrast the angelic wail and enlighten words of Ed Droste. Paired with the fantastical Disney-like instrumentation of Chris Taylor; the listener has a bitter sweet reaction to the nostalgic realizations which come to surface as Veckatimest unravels and deconstructs the beauty within.


1. Dark Was the Night-Compilation Originally conceived as a benefit CD for the Red Hot Organization. Comprised of 31 original tracks and curated by The National's Dessner brothers,which are either older tracks by the featured artists or favorite covers. From the onset of the disc, it is obvious this project was meaningful to everyone involved and is truly memorable with the caliber of collaborations throughout. I feel as though it has been ages since the last truly successful compilation that has deserved such attention and accomplishes the proposed goal.

Dark Was The Night

Thursday, December 17, 2009

Since the Year 2000: Wolf Parade-Apologies to the Queen Mary

Since the bunch of Canadians responsible for the bands Wolf Parade,Sunset Rubdown, Swan Lake, Frog Eyes, Handsome Furs and most recently Moonface made their initial appearance four years ago; we have had the listening pleasure of at least half a dozen albums. Namely Spencer Krug, who is either the commanding force or has had a hand in the creative drive behind the fore mentioned bands. The innovation and musical experimentation has not halted since their inception and the evolution of these bands have continued to etch a strong reputation in the music world for Canadian music scene. With all this said, it was the initial drum crash and wail of Spencer Krug in the first track from Apologies to Queen Mary, the introductory album by Wolf Parade that had my senses instantly on overload. A change in my musical taste at a time that had me discovering different groups and realizing the presence of the lesser known talents.
The album was comprised of a handful of new songs not included on the previous self-titled EP and an additional track reworked from Krug's Sunset Rubdown project. The title addresses crude actions and behavior that had the band removed from the ocean liner, Queen Mary. The band's sound had an originality, manipulating and marrying a variety of sounds and instrumentation creating this chaotic beauty. Of the various monikers, the music by Wolf Parade is the most straightforward and aims at a more grand scale. It seems Krug takes an ominous perspective on global observations while reflecting his self importance to society based on how his genetics affect the man he has become. Writing credits and vocals are split between Krug and guitarist Dan Boeckner who's contrasting perspectives broaden our horizons and equal a distorted harmony.

Spencer Krug Releases his Moonface EP digitally, while beseeching donations to his Credit Card Bills.

The man behind most notably Sunset Rubdown and Wolf Parade has digitally released his new solo efforts under the moniker Moonface. His site offers the 20 minute single track EP for whatever donations available to aid in his pursuit to defeat his credit debt. The EP is a wonderful marriage of sounds of everything previous that Krug has collaborated his efforts towards. As noted in the album's title, Dreamland EP: Marimba and Shit-Drums the primary use of Caribbean instrumentation paints a beach like environment while retaining Krug's usual surreal approach on the bigger picture in life. The album will be released via Jagjaguwar on January 26, but is still available to be downloaded digitally now on the Moonface site.

Monday, December 14, 2009

Beck's Record Club (Why have I Been Missing Out on This?)

During his hiatus between albums, Beck has found an interesting and entertaining way to keep himself busy. Among other things, produce on the new Charlotte Gainsborough record, IRM due out in the US in early 2010. Beck has also begun a side project with a variety of other artists called the Record Club. As a visual artist it reminds me of an impromptu figure session, an opportunity for artists of any medium to flex their creative muscles and challenge themselves in a classical tradition from a live model. In his own words below he describes the concept and premise behind this club.

"Record Club is an informal meeting of various musicians to record an album in a day. The album chosen to be reinterpreted is used as a framework. Nothing is rehearsed or arranged ahead of time. A track is put up here once a week. The songs are rough renditions, often first takes that document what happened over the course of a day as opposed to a polished rendering. There is no intention to 'add to' the original work or attempt to recreate the power of the original recording. Only to play music and document what happens."

Friday, December 11, 2009

Imagine Sunny Skies with Avi Buffalo on Daytrotter

With the frigid Chicago weathers still freezing my butt, I cant help but be grateful for Daytrotter's post today. Avi Buffalo is a band based out of Long Beach, California whose music intertwines angst ridden lyrics (appropriate enough with band members still completing high school)and a psychedelic beach haziness in each strum of the guitar. The West Coast warmth radiates off the four track session available to download, and cant help but bring back a nice reminiscence of the sunny winters I spent in California for grad school. Anyway, the band's debut album is set to release in 2010 with Sub Pop and are expected at this year's SXSW. To check the session along with Sean Moeller's eloquent words head to the link below.

Tuesday, November 24, 2009

Homework to Start the Holiday Weekend (Announcement of SXSW Bands Part 1)

With a nice long weekend upon some of us and tables full of food to live off of for a week or so, I was excited to see the release of the first set of names who will be making the trek to Austin in March for the annual festival SXSW (South by Southwest...just in case). Obviously, it will take longer than the next five days to get through the list; but it's never too early to get started. After a quick scan down the alphabet there a definite familiar names that instantly excite me, while other names intrigue my curiosities. The very long list will appear after the jump. Everyone get your highlighters!!!

SXSW 2010 Showcasing Bands

*Information subject to change*

Aa (Brooklyn NY)
Acid Mothers Temple & The Melting Paraiso UFO (Osaka JAPAN)
A Classic Education (Bologna ITALY)
Alpha Rev (Austin TX)
Amaral (Madrid SPAIN)
And So I Watch You From Afar (Belfast IRELAND)
Apostle of Hustle (Toronto ON)
Arms (Brooklyn NY)
Ólöf Arnalds (Reykjavik ICELAND)
Art vs Science (Surry Hills NSW)
A Shoreline Dream (Denver CO)
Nicole Atkins and The Black Sea (Asbury Park NJ)
Autumn Owls (Dublin IRELAND)
Bare Wires (Oakland CA)
Julian Berntzen (Bergen NORWAY)
Best Fwends (Austin TX)
The Black (Austin TX)
The Black Atlantic (Groningen THE NETHERLANDS)
Dan Black (Paris FRANCE)
Black Tide (Miami FL)
Bliss N Eso (Albert Park VIC)
Boom Boom Satellites (JAPAN)
The Boxer Rebellion (London UK-ENGLAND)
Break of Reality (New York NY)
B-Real of Cypress Hill (Los Angeles CA)
Broadway Calls (Rainer OR)
Broken Records (Edinburgh UK-SCOTLAND)
The Brunettes (Auckland NEW ZEALAND)
Buckshot (Brooklyn NY)
Canja Rave (Porto Alegre BRAZIL)
Capsula (Bilbao SPAIN)
Carsick Cars (Beijing CHINA)
Caucus (Tokyo JAPAN)
The Chevelles (Melville WA)
Chew Lips (London UK-ENGLAND)
Suzanna Choffel (Austin TX)
Chris T-T (Brighton UK-ENGLAND)
The Coathangers (Atlanta GA)
Simon Collins (Victoria BC)
The Constellations (Atlanta GA)
Contra Coup (Austin TX)
Cotton Jones (Cumberland MD)
The Crystal Method (Los Angeles CA)
David Dallas (Auckland NEW ZEALAND)
Dappled Cities (Sydney NSW)
Daveman (Berlin GERMANY)
The Daylights (Los Angeles CA)
The dB's (Chapel Hill NC)
Dead Sexy Inc (Paris FRANCE)
The Deaf (The Hague THE NETHERLANDS)
Deer Tick (Providence RI)
Delhi 2 Dublin (Vancouver BC)
Paul Dempsey (from "Something for Kate") (Melbourne NSW)
Diplomats of Solid Sound (Iowa City IA)
DJ Car Stereo (Wars) (Austin TX)
DJ Evil Dee (Brooklyn NY)
DJ Revolution (Los Angeles CA)
Daniel Francis Doyle (Austin TX)
Adiam Dymott (Goteborg SWEDEN)
The 88 (Los Angeles CA)
Electric Electric (Strasbourg FRANCE)
Val Emmich (Jersey City NJ)
Eternia (Toronto ON)
Everything Everything (Manchester UK-WALES)
Fanfarlo (London UK-ENGLAND)
Michael Feinberg (New York NY)
Fergus & Geronimo (Westway TX)
Fighting With Wire (Derry IRELAND)
FINALE (Detroit MI)
Floating Action (Asheville NC)
Francis (Borlange SWEDEN)
Robert Francis (Los Angeles CA)
Frightened Rabbit (Selkirk UK-SCOTLAND)
The Funeral Pyre (Los Angeles CA)
The Ganjas (Santiago CHILE)
Geeks (Tokyo JAPAN)
Gerald G (Austin TX)
Colin Gilmore (Austin TX)
Giulia y los Tellarini (Barcelona SPAIN)
Rosi Golan (New York NY)
Gong Myoung (Seoul KOREA)
Goober and the Peas (Detroit MI)
Good Shoes (London UK-ENGLAND)
Guitar Shorty (Harlingen TX)
Ha Ha Tonka (Springfield MO)
Halves (Dublin IRELAND)
Darren Hanlon (Sydney NSW)
Harlem (Austin TX)
Headdress (Austin TX)
Hey Colossus (London UK-ENGLAND)
Robyn Hitchcock (London CA)
Hot Panda (Edmonton AB)
The Hounds Below (Detroit MI)
I Fight Dragons (Chicago IL)
The Intelligence (Seattle WA)
Ivan & Alyosha (Seattle WA)
Japandroids (Vancouver BC)
Jazz One (Austin TX)
Stephen Jerzak (La Crosse WI)
John Dear Mowing Club (Den Haag THE NETHERLANDS)
The Jim Jones Revue (London UK-ENGLAND)
Jookabox (Indianapolis IN)
Julia Says (Sao Paulo BRAZIL)
Karnivool (Perth WA)
Kartick & Gotam (Chennai INDIA)
Kidz In Space (Auckland NEW ZEALAND)
Kidz In The Hall (Chicago IL)
Kingston (Auckland NEW ZEALAND)
Maurice Kirya (Kampala ZIMBABWE)
The Kissaway Trail (Odense DENMARK)
L.A.B. (Novo Hamburgo BRAZIL)
The Law (Dundee UK-SCOTLAND)
Vander Lee (Belo Horizonte BRAZIL)
Unni Lovlid (Oslo NORWAY)
Lowood (Stockholm SWEDEN)
Audra Mae (Los Angeles CA)
Malente (Essen GERMANY)
Natalia Mallo (Sao Paulo BRAZIL)
Mantles (San Francisco CA)
Julia Marcell (Berlin GERMANY)
Marco Polo & Torae (Brooklyn NY)
Mariachi El Bronx (Los Angeles CA)
Carolyn Mark (Victoria BC)
Maruosa (Tokyo JAPAN)
MegaRex (Sao Paulo BRAZIL)
The Middle East (Townsville QLD)
Middle Finger Salute (Blackburn UK-ENGLAND)
Miniature Tigers (Phoenix AZ)
Mixtapes & Cellmates (Stockholm SWEDEN)
Monarchs (Austin TX)
Michael Monroe (Helsinki FINLAND)
PJ Morton (Conyers GA)
Mountain Man (Bennington VT)
Movits! (Lulea SWEDEN)
Moxine (Sao Paulo BRAZIL)
Mr Sicc (Auckland NEW ZEALAND)
Mumiy Troll (Los Angeles CA)
My Dad is Dead (Chapel Hill NC)
Nailpin (Boom BELGIUM)
Nakia & His Southern Cousins (Austin TX)
9th Wonder (Raleigh-Durham NC)
The Novas (Dallas TX)
Jackie Oates (Exeter UK-ENGLAND)
One Night Only (Helmsley UK-ENGLAND)
1001 Nights Orchestra (Austin TX)
The Pack A.D. (Vancouver BC)
Paleo (Brooklyn NY)
Parlovr (Montreal QC)
Past Lives (Seattle WA)
The Peelies (Montreal QC)
Julie Peel (Montreal QC)
Mandi Perkins (Los Angeles CA)
Peter Wolf Crier (Minneapolis MN)
Pink Nasty (Austin TX)
P.K. 14 (Beijing CHINA)
Plants and Animals (Montreal QC)
Please The Trees (Prague CZECH REPUBLIC)
Steve Poltz (San Diego CA)
Andy Pratt (Amesbury MA)
Sean Price (Brooklyn NY)
Princeton (Eagle Rock CA)
Profetas (COLOMBIA)
Psalm One (Chicago IL)
Quantic and his Combo Barbaro (Cali COLOMBIA)
Random Axe (Brooklyn NY)
Rebelle (Den Haag THE NETHERLANDS)
Red Mass (Montreal QC)
Tommy Reilly (Glasgow UK-SCOTLAND)
Riverboat Gamblers (Austin TX)
The River Raid (Recife BRAZIL)
Miles Benjamin Anthony Robinson (Brooklyn NY)
Brisa Roche (Paris FRANCE)
Rock of Heltah Skeltah (Brooklyn NY)
Rogues (London UK-ENGLAND)
Ruste Juxx (Brooklyn NY)
San Saba County (Austin TX)
Scanners (London UK-ENGLAND)
Kate Schutt (Guelph ON)
Serious Sam Barrett (Leeds UK-ENGLAND)
Shit And Shine (London UK-ENGLAND)
Sixteen Deluxe (Austin TX)
Skyzoo (Brooklyn NY)
Small Black (Brooklyn NY)
Smif N Wessun (Brooklyn NY)
Smoosh (Seattle WA)
So Cow (Tuam IRELAND)
Solid Gold (Minneapolis MN)
Soulico (Tel Aviv ISRAEL)
The Spring Standards (New York NY)
Sabrina Starke (Amsterdam THE NETHERLANDS)
Steel Train (Teaneck NJ)
StereoHeroes (Les Gorguettes FRANCE)
Surrounded (Malmo SWEDEN)
Jesse Sykes and the Sweet Hereafter (Seattle WA)
M. Takara 3 (Guarulhos BRAZIL)
Team Facelift (New York NY)
Thunder Power (Omaha NE)
Timber Timbre (Toronto ON)
Todd (London UK-ENGLAND)
Marques Toliver (London UK-ENGLAND)
Toolshed (London ON)
Trembling Bells (Glasgow UK-SCOTLAND)
Trespassers William (Seattle WA)
Twin Atlantic (Glasgow UK-SCOTLAND)
Two Star Symphony (Houston TX)
Jonathan Tyler & the Northern Lights (Dallas TX)
The Uglysuit (Oklahoma City OK)
Uncle Lucius (Austin TX)
The View (Dundee UK-SCOTLAND)
Volovan (Monterrey MEXICO)
Waco Brothers (Chicago IL)
Miho Wada (Auckland NEW ZEALAND)
Warpaint (Los Angeles CA)
Wave Machines (Liverpool UK-ENGLAND)
The Wave Pictures (London UK-ENGLAND)
We Are Scientists (New York NY)
We Are Wolves (Montreal QC)
Withered (Atlanta GA)
Wolf Gang (London UK-ENGLAND)
XV (Wichita KS)
The Yellow Dogs (Tehran IRAN)
YellowFever (Austin TX)
Zlam Dunk (San Marcos TX)
Zona Tango (Buenos Aires ARGENTINA)

*Information subject to change*